Halo P 5 vs Adcom GFP-915SE
The GFP-915SE's signal-to-noise is 100 dB against the Halo P 5's 108 dB and its thd 0.005% against 0.010%. Both share bit depth (24-bit) and max sample rate (192 kHz).
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The Parasound Halo P 5 is a high-performance stereo preamplifier featuring a Burr-Brown PCM1798 DAC with USB, optical, and coaxial digital inputs supporting up to 192 kHz (coaxial and optical) and 96 kHz (USB). It includes a phono stage compatible with both moving magnet (MM) and moving coil (MC) cartridges with selectable load impedance (100 ohm or 47k ohm). The P 5 offers analog bass management with adjustable high and low pass crossovers, supporting 2.1-channel operation with subwoofer outputs. It has a home theater bypass input for seamless integration with surround sound systems, balanced XLR and unbalanced RCA inputs and outputs, and a front panel auxiliary input with automatic +12 dB gain for portable devices. The preamplifier features a motorized Alps volume control, headphone output, bass and treble tone controls with defeat option, and remote control. Its build quality includes a brushed aluminum front panel available in black or silver, with dimensions of 17-1/4" W x 13-3/4" D x 4-1/8" H and a weight of 14 lbs (6.3 kg). The P 5 is praised for its smooth, open sound, extensive feature set, and excellent value for its price point.
DAC capabilities and digital audio processing
Analog signal output specifications
Input and output connections
Size, weight, and appearance
Specifications are community-contributed and may not be accurate or complete. Verify all details with the manufacturer before making purchasing decisions. Terms & Conditions
Estimated price (community-sourced)
Around — community and catalog average, updates slowly
Components that show up alongside the Halo P 5 in real systems. A verdict means the pair has been checked for compatibility and headroom — open it to see how the two get along.
The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The GFP-915SE's signal-to-noise is 100 dB against the Halo P 5's 108 dB and its thd 0.005% against 0.010%. Both share bit depth (24-bit) and max sample rate (192 kHz).
The NC 200INT's signal-to-noise is 100 dB against the Halo P 5's 108 dB and its thd 0.050% against 0.010%. Both share bit depth (24-bit) and max sample rate (192 kHz).
Both turn up in the same documented systems.
The New Classic 200's signal-to-noise is 75 dB against the Halo P 5's 108 dB and its thd 0.030% against 0.010%. Both share bit depth (24-bit) and max sample rate (192 kHz).
Both turn up in the same documented systems.
The PM6007's signal-to-noise is 83 dB against the Halo P 5's 108 dB and its thd 0.080% against 0.010%. Both share bit depth (24-bit) and max sample rate (192 kHz).
Both turn up in the same documented systems.
Marantz PM6005
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