SPU Classic A vs SPU Meister A
The SPU Meister A's output is 0.3 mV against the SPU Classic A's 0.2 mV. Both share compliance (8 cu), tracking force (4.0 g), and channel separation (20 dB).
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Estimated price (community-sourced)
Around — community and catalog average, updates slowly
The Ortofon SPU Classic A is part of the renowned SPU series, originally engineered in 1959 by Robert Gudmandsen, known for its low coil impedance and outstanding analog sound. This model features the short 'A' shell, harking back to the earliest SPU designs, ideal for vintage tonearms like old Ortofon or EMT arms, though it may require an adapter like the APJ-1 for modern tonearms to avoid tracing errors. It delivers a rich, silky sound with full body, linearity, and pronounced SPU character—dynamic, powerful, colorful, and expressive. Perfect for both early stereo and modern recordings, it excels in punch, drama, midrange richness, space projection, and musical nuances, especially in classical music.
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The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The SPU Meister A's output is 0.3 mV against the SPU Classic A's 0.2 mV. Both share compliance (8 cu), tracking force (4.0 g), and channel separation (20 dB).
The SPU Royal A's tracking force is 3.0 g against the SPU Classic A's 4.0 g and its cartridge type LOMC against MC. Both share output (0.2 mV) and compliance (8 cu).
The Palo Santos Presentation's output is 0.5 mV against the SPU Classic A's 0.2 mV, its tracking force 2.0 g against 4.0 g, and its channel separation 30 dB against 20 dB. Both share compliance (8 cu).
The Zero's output is 0.4 mV against the SPU Classic A's 0.2 mV and its tracking force 3.5 g against 4.0 g. Both share compliance (8 cu) and stylus type (Conical).
SPU Meister Silver GM MkII
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