PA-7 vs PA5
The PA5's power @ 8ω is 100W against the PA-7's 200W. Both share signal-to-noise (120 dB), damping factor (60), and thd (0.100%).
Both turn up in the same documented systems.
AI-generated product photo — not official manufacturer imagery.
The Nakamichi PA-7 is a stereo Stasis power amplifier produced in the late 1980s (circa 1987-1989), using technology licensed from Nelson Pass's Threshold Stasis designs. It is factory-rated at 200 watts per channel into 8 ohms with a frequency response of 20 Hz-20 kHz, total harmonic distortion of 0.1%, damping factor 60, input sensitivity 2V, and signal-to-noise ratio 120 dB, employing sixteen high-power output transistors per channel. The PA-7 uses a highly linear, low-power Stasis voltage amplifier section coupled to high-current output stages, providing substantial current delivery and allowing it to drive demanding loudspeakers, including low-impedance and planar designs, with excellent control. The amplifier is built around a large toroidal power transformer and substantial power-supply capacitance (approximately 132,000 uF), contributing to its strong dynamics and stability under load. It weighs about 27 kg and features a minimalist front panel with only a power switch and status/clip indicators, while the rear panel provides gold-plated RCA input jacks and heavy-duty binding posts. Due to its age and design complexity, professional servicing may be advisable. A later variant, the PA-7II, offers a slightly higher rated output of around 225W per channel into 8 ohms.
Amplification power output and characteristics
Analog signal output specifications
Size, weight, and appearance
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Estimated price (community-sourced)
Around — community and catalog average, updates slowly
Components that show up alongside the PA-7 in real systems. A verdict means the pair has been checked for compatibility and headroom — open it to see how the two get along.
The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The PA5's power @ 8ω is 100W against the PA-7's 200W. Both share signal-to-noise (120 dB), damping factor (60), and thd (0.100%).
Both turn up in the same documented systems.
The GFA-555's power @ 4ω is 325W against the PA-7's 400W, its signal-to-noise 110 dB against 120 dB, and its thd 0.090% against 0.100%. Both share power @ 8ω (200W).
Both turn up in the same documented systems.
The Spec-2's power @ 8ω is 250W against the PA-7's 200W, its signal-to-noise 110 dB against 120 dB, and its damping factor 50 against 60. Both share thd (0.100%).
The HCA-1200's power @ 4ω is 300W against the PA-7's 400W, its signal-to-noise 110 dB against 120 dB, and its thd 0.080% against 0.100%. Both share power @ 8ω (200W).
Yamaha MX-800
Krell KAV-150a
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