LD-2 vs Musical Fidelity M6s PRE
The M6s PRE's signal-to-noise is 96 dB against the LD-2's 100 dB, its mm gain 35 dB against 40 dB, and its thd 0.005% against 0.100%. Both share mc gain (55 dB).
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Estimated price (community-sourced)
Around — community and catalog average, updates slowly
The McCormack Audio LD-2 is a line-drive stereo preamplifier designed as an upgraded successor to the RLD-1, using a Burr-Brown digital volume control for precise channel tracking and smooth level adjustment. It is an all-analog preamp with five line-level inputs and standard RCA connections, and it was offered with an optional moving magnet/moving coil phono stage for vinyl playback. The LD-2 was positioned as a high-value audiophile preamp, with a separate phono option available at additional cost.
Analog signal output specifications
Phono stage specifications
Input and output connections
Size, weight, and appearance
Specifications are community-contributed and may not be accurate or complete. Verify all details with the manufacturer before making purchasing decisions. Terms & Conditions
The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The M6s PRE's signal-to-noise is 96 dB against the LD-2's 100 dB, its mm gain 35 dB against 40 dB, and its thd 0.005% against 0.100%. Both share mc gain (55 dB).
The KSP-7B's thd is 0.050% against the LD-2's 0.100% and its mc gain 60 dB against 55 dB. Both share signal-to-noise (100 dB) and mm gain (40 dB).
The R15's signal-to-noise is 83 dB against the LD-2's 100 dB, its mc gain 60 dB against 55 dB, and its thd 0.020% against 0.100%. Both share mm gain (40 dB).
The MX-VYNL's signal-to-noise is 101 dB against the LD-2's 100 dB, its mc gain 57 dB against 55 dB, its mm gain 42 dB against 40 dB, and its thd 0.007% against 0.100%.
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