MP-50 vs McIntosh MX122
The MX122's signal-to-noise is 96 dB against the MP-50's 120 dB. Both share bit depth (32-bit), max sample rate (192 kHz), and thd (0.005%).
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The Lyngdorf Audio MP-50 is a premium surround sound processor designed for audiophiles and home theater enthusiasts. It supports immersive surround sound formats including Dolby Atmos, DTS:X, and Auro-3D, along with legacy formats such as Dolby Digital and DTS-HD Master Audio. The processor features 16 balanced XLR analog outputs capable of delivering up to 12 discrete audio channels, with 4 additional outputs for extra speakers or subwoofers. It includes RoomPerfect, Lyngdorf's advanced room correction technology that measures millions of audio reflections to create a three-dimensional model of the listening environment, optimizing frequency response, level alignment, and bass management without requiring extensive acoustic treatment. The MP-50 also has a built-in media player supporting streaming services like Spotify, Airplay, Roon, and internet radio, accessible via network or USB. Connectivity includes 8 HDMI inputs and 2 outputs with 4K, 3D, and HDCP 2.2 support, AES/EBU, coaxial and optical digital inputs, USB audio input, and an XLR microphone input for calibration. Control is facilitated through the Lyngdorf Remote app for iOS and Android. The unit is built with a sleek Scandinavian design using matte black aluminum and glass, measuring approximately 450mm wide, 147mm deep, and 370mm high, weighing 9 kg. It is a scaled-down version of the Steinway Lyngdorf Model P200, offering high-end performance at a relatively accessible price point.
DAC capabilities and digital audio processing
Analog signal output specifications
Input and output connections
Supported streaming platforms and protocols
Size, weight, and appearance
Specifications are community-contributed and may not be accurate or complete. Verify all details with the manufacturer before making purchasing decisions. Terms & Conditions
Estimated price (community-sourced)
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Components that show up alongside the MP-50 in real systems. A verdict means the pair has been checked for compatibility and headroom — open it to see how the two get along.
The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The MX122's signal-to-noise is 96 dB against the MP-50's 120 dB. Both share bit depth (32-bit), max sample rate (192 kHz), and thd (0.005%).
The DAC501's max sample rate is 384 kHz against the MP-50's 192 kHz, its signal-to-noise 128 dB against 120 dB, and its thd 0.000% against 0.005%. Both share bit depth (32-bit).
The MA7900's signal-to-noise is 113 dB against the MP-50's 120 dB. Both share bit depth (32-bit), max sample rate (192 kHz), and thd (0.005%).
The DAC7's bit depth is 24-bit against the MP-50's 32-bit, its signal-to-noise 114 dB against 120 dB, and its thd 0.030% against 0.005%. Both share max sample rate (192 kHz).
Linn Akkurate DSM 2
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