Grande Avant Garde vs Sonus Faber Amati Futura
The Amati Futura's sensitivity is 90 dB against the Grande Avant Garde's 89 dB, its impedance 4Ω against 6Ω, its woofer 8.66" against 8", and its low-frequency extension 25 Hz against 20 Hz.
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The Gershman Acoustics Grand Avant Garde is a high-end, three-and-a-half-way floorstanding loudspeaker featuring a 1-inch modified dual-chamber soft-dome tweeter, a 5.25-inch carbon-fiber midrange driver, and an 8-inch dual-magnet, dual-coil aluminum bass driver. Its BCT composite enclosure uses resistive venting to improve bass loading and control cabinet-related resonances. The speaker is specified with a 20Hz–22kHz frequency response, 87dB sensitivity, and 6-ohm nominal impedance. It is offered as a carefully finished, high-end loudspeaker in piano-lacquered cabinet options. published specifications vary by version, with the 30th-anniversary model listed at 20Hz–22kHz and 87dB, while earlier listings specify 22Hz–20kHz and 89dB.
Driver and acoustic performance characteristics
Driver configuration and enclosure design
Size, weight, and appearance
Specifications are community-contributed and may not be accurate or complete. Verify all details with the manufacturer before making purchasing decisions. Terms & Conditions
The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The Amati Futura's sensitivity is 90 dB against the Grande Avant Garde's 89 dB, its impedance 4Ω against 6Ω, its woofer 8.66" against 8", and its low-frequency extension 25 Hz against 20 Hz.
The K8's sensitivity is 91.5 dB against the Grande Avant Garde's 89 dB and its impedance 4Ω against 6Ω. Both share low-frequency extension (20 Hz) and woofer (8").
The Excellence 5 AMT's impedance is 4Ω against the Grande Avant Garde's 6Ω. Both share sensitivity (89 dB), woofer (8"), and ways (3).
The Gibbon X's sensitivity is 91.5 dB against the Grande Avant Garde's 89 dB, its impedance 8.5Ω against 6Ω, and its low-frequency extension 23 Hz against 20 Hz. Both share ways (3).
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