CM9 vs Wharfedale Opus 1
The Opus 1's impedance is 6Ω against the CM9's 8Ω and its high-frequency extension 44 kHz against 50 kHz. Both share sensitivity (89 dB) and ways (3).
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Estimated price (community-sourced)
Around — community and catalog average, updates slowly
The CM9 is a high-end three-way tower speaker from Bowers & Wilkins, designed for large rooms and demanding listeners. It features twin 165mm paper/Kevlar cone bass drivers for commanding bass, a 150mm woven Kevlar FST midrange driver with a compression surround for outstanding midrange performance, and a Nautilus tube-loaded 25mm aluminium dome tweeter that extends crisp, sharp high frequencies up to 50kHz and beyond. The cabinet is well braced and finished with real wood veneers, improving stiffness and aesthetics. The speaker has a nominal impedance of 8 ohms (dipping to 3 ohms), a sensitivity of 89dB, and is recommended to be driven by amplifiers from 30 to 200 watts. Dimensions are approximately 200mm wide, 1030mm high, and 300mm deep, with a weight of about 26.6kg (58.5 lbs). It is available in finishes such as Rosenut, Wenge, and Gloss Black. The CM9 is noted for its tonal neutrality, full but controlled bass, and refined treble integration, making it suitable for both music and home cinema applications. It is praised for its accuracy, power handling, and elegant design, though some listeners note a slightly restrained treble compared to other models.
Driver and acoustic performance characteristics
Driver configuration and enclosure design
Size, weight, and appearance
Specifications are community-contributed and may not be accurate or complete. Verify all details with the manufacturer before making purchasing decisions. Terms & Conditions
Components that show up alongside the CM9 in real systems. A verdict means the pair has been checked for compatibility and headroom — open it to see how the two get along.
The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The Opus 1's impedance is 6Ω against the CM9's 8Ω and its high-frequency extension 44 kHz against 50 kHz. Both share sensitivity (89 dB) and ways (3).
The 683's sensitivity is 90 dB against the CM9's 89 dB. Both share impedance (8Ω), woofer (6.5"), and ways (3).
The Studio 100 v5's sensitivity is 92 dB against the CM9's 89 dB and its woofer 7" against 6.5". Both share impedance (8Ω) and ways (3).
The Airmotiv T2's sensitivity is 91 dB against the CM9's 89 dB, its impedance 4Ω against 8Ω, and its low-frequency extension 35 Hz against 30 Hz. Both share ways (3).
ProAc Response D-28
Quad 23L Classic
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