K-3x vs Quad 33
The 33's mc gain is 63.5 dB against the K-3x's 60 dB and its mm gain 46 dB against 50 dB.
Both turn up in the same documented systems.
AI-generated product photo — not official manufacturer imagery.
Estimated price (community-sourced)
Around — community and catalog average, updates slowly
The Ayre Acoustics K-3x is a discontinued high-end analog control amplifier/line-stage preamplifier, derived from Ayre’s K-3 platform. It uses an all-discrete, all-FET, fully balanced, zero-global-feedback circuit architecture and a separate outboard power supply. The optional P-5x phono module provides a fully balanced MM/MC phono stage with passive, zero-feedback RIAA equalization. The K-3x provides balanced and single-ended line inputs, balanced and single-ended main outputs, and a tape loop; it has no digital inputs, DAC, wireless, or streaming functions.
Input and output connections
Specifications are community-contributed and may not be accurate or complete. Verify all details with the manufacturer before making purchasing decisions. Terms & Conditions
Components that show up alongside the K-3x in real systems. A verdict means the pair has been checked for compatibility and headroom — open it to see how the two get along.
The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The 33's mc gain is 63.5 dB against the K-3x's 60 dB and its mm gain 46 dB against 50 dB.
Both turn up in the same documented systems.
The L-3AE's mc gain is 59 dB against the K-3x's 60 dB and its mm gain 59 dB against 50 dB.
The K-1xe's mm gain is 40 dB against the K-3x's 50 dB. Both share mc gain (60 dB).
The RH5's mc gain is 58 dB against the K-3x's 60 dB and its mm gain 48 dB against 50 dB.
Bryston BP25
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