A5 500/8 vs A7 Magnificent
The A7 Magnificent matches the A5 500/8 on impedance (8Ω), woofer (15"), crossover (500 Hz), and drivers (2).
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The Altec Lansing A5 500/8 is a factory configuration of the classic A5 Voice of the Theatre professional cinema loudspeaker system, built as a two-way horn plus bass-reflex floor system rather than a domestic hi-fi tower. It pairs a single 15-inch low-frequency driver (515-series) in an 825/828-style bass horn/reflex cabinet with a high-frequency compression driver (288-series) on a sectoral or multicellular horn, crossed over through an N500-series network. The 500/8 designation denotes the roughly 500 Hz crossover point and 8-ohm system impedance, following the same naming convention as the related A7-500-8, rather than indicating a separate model line. Designed for sound reinforcement in small to mid-size cinemas, the A5 500/8 is now sought after by enthusiasts who adapt these high-efficiency theatre systems for home listening.
Driver and acoustic performance characteristics
Driver configuration and enclosure design
Size, weight, and appearance
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The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The A7 Magnificent matches the A5 500/8 on impedance (8Ω), woofer (15"), crossover (500 Hz), and drivers (2).
The Nautilus 801's sensitivity is 91 dB against the A5 500/8's 122 dB and its ways 3 against 2. Both share impedance (8Ω) and woofer (15").
The AE520's impedance is 6Ω against the A5 500/8's 8Ω, its sensitivity 90 dB against 122 dB, and its woofer 5" against 15". Both share ways (2).
The Open 5 Open, open baffle system's sensitivity is 94 dB against the A5 500/8's 122 dB. Both share impedance (8Ω), woofer (15"), and ways (2).
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