H7000 vs Thrax Audio Orpheus
The Orpheus's signal-to-noise is 84 dB against the H7000's 85 dB, its output voltage 10.0V RMS against 1.0V RMS, and its input impedance 390Ω against 470Ω. Both share mm gain (40 dB).
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The Allnic H-7000 Phono Stage is a sophisticated analog audio component designed for audiophiles seeking exceptional vinyl playback quality. It features two pairs of unbalanced RCA inputs for Moving Coil (MC) cartridges and two pairs for Moving Magnet (MM) cartridges, plus a ground screw terminal. Outputs include one pair of unbalanced RCA and one pair of balanced XLR connectors. The unit uses four E810F/7788 pentode tubes in triode mode for main amplification, supported by voltage regulator tubes (7233 and 5654) and a 5U4G rectifier tube. It offers multiple gain settings: MM at +40dB, MC1 at +60dB, and MC2 with selectable gains of +62, +66, +68, and +72dB. Input impedance is adjustable up to 470 Ohms for MC and fixed at 47k Ohms for MM. The phono stage is transformer-coupled with no coupling capacitors and employs an LCR RIAA equalization curve with a frequency response of 20Hz to 20kHz (+/-0.5dB). The design emphasizes low noise (-85dB S/N ratio) and low distortion (<0.3% THD at 1kHz). The chassis is robust aluminum to reduce vibration and provide shielding, with dimensions of 430mm x 350mm x 173mm and a weight of 15.7 kg for the phono stage alone. The power supply is separate, measuring 170mm x 275mm x 118mm and weighing 8.1 kg. This model is highly regarded for its detailed, dynamic, and natural sound reproduction and is considered one of the most impressive analog components available.
Amplification power output and characteristics
Analog signal output specifications
Phono stage specifications
Input and output connections
Size, weight, and appearance
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Estimated price (community-sourced)
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Components that show up alongside the H7000 in real systems. A verdict means the pair has been checked for compatibility and headroom — open it to see how the two get along.
The closest alternatives on specs, description and the systems they turn up in, with the specs they share set side by side.
The Orpheus's signal-to-noise is 84 dB against the H7000's 85 dB, its output voltage 10.0V RMS against 1.0V RMS, and its input impedance 390Ω against 470Ω. Both share mm gain (40 dB).
The H3000's mm gain is 44 dB against the H7000's 40 dB. Both share signal-to-noise (85 dB), thd (0.300%), and output impedance (200Ω).
Both turn up in the same documented systems.
The Classic Phono's signal-to-noise is 82 dB against the H7000's 85 dB, its mm gain 38 dB against 40 dB, and its output impedance 500Ω against 200Ω. Both share output voltage (1.0V RMS).
The C-57's signal-to-noise is 102 dB against the H7000's 85 dB, its mm gain 34 dB against 40 dB, its thd 0.005% against 0.300%, and its output voltage 2.0V RMS against 1.0V RMS.
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